The boats had not gone very far, when by a signal from the mast-heads—a downward pointed arm, Ahab knew that the whale had sounded; but intending to be near him at the next rising, he held on his way a little sideways from the vessel; the becharmed crew maintaining the profoundest silence, as the head-bent waves hammered and hammered against the opposing bow.

“Drive, drive in your nails, oh ye waves! to their uttermost heads drive them in! ye but strike a thing without a lid; and no coffin and no hearse can be mine:—and hemp only can kill me! Ha! ha!”

Suddenly the waters around them slowly swelled in broad circles; then quickly upheaved, as if sideways sliding from a submerged berg of ice, swiftly rising to the surface. A low rumbling sound was heard; a subterraneous hum; and then all held their breaths; as bedraggled with trailing ropes, and harpoons, and lances, a vast form shot lengthwise, but obliquely from the sea. Shrouded in a thin drooping veil of mist, it hovered for a moment in the rainbowed air; and then fell swamping back into the deep. Crushed thirty feet upwards, the waters flashed for an instant like heaps of of fountains, then brokenly sank in a shower of flakes, leaving the circling surface creamed like new milk round the marble trunk of the whale.

“Give way!” cried Ahab to the oarsmen, and the boats darted forward to the attack; but maddened by yesterday’s fresh irons that corroded in him, Moby Dick seemed combinedly possessed by all the angels that fell from heaven. The wide tiers of welded tendons overspreading his broad white forehead, beneath the transparent skin, looked knitted together; as head on, he came churning his tail among the boats; and once more flailed them apart; spilling out the irons and lances from the two mates’ boats, and dashing in one side of the upper part of their bows, but leaving Ahab’s almost without a scar.

While Daggoo and Queequeg were stopping the strained planks; and as the whale swimming out from them, turned, and showed one entire flank as he shot by them again; at that moment a quick cry went up. Lashed round and round to the fish’s back; pinioned in the turns upon turns in which, during the past night, the whale had reeled the involutions of the lines around him, the half torn body of the Parsee was seen; his sable raiment frayed to shreds; his distended eyes turned full upon old Ahab.

The harpoon dropped from his hand.

“Befooled, befooled!”—drawing in a long lean breath—“Aye, Parsee! I see thee again.—Aye, and thou goest before; and this, this then is the hearse that thou didst promise. But I hold thee to the last letter of thy word. Where is the second hearse? Away, mates, to the ship! those boats are useless now; repair them if ye can in time, and return to me; if not, Ahab is enough to die—Down, men! the first thing that but offers to jump from this boat I stand in, that thing I harpoon. Ye are not other men, but my arms and my legs; and so obey me.—Where’s the whale? gone down again?”

Sir Francis, recognising the statue, whispered, “The goddess Kali; the goddess of love and death.”

“Of death, perhaps,” muttered back Passepartout, “but of love— that ugly old hag? Never!”

The Parsee made a motion to keep silence.

A group of old fakirs were capering and making a wild ado round the statue; these were striped with ochre, and covered with cuts whence their blood issued drop by drop—stupid fanatics, who, in the great Indian ceremonies, still throw themselves under the wheels of Juggernaut. Some Brahmins, clad in all the sumptuousness of Oriental apparel, and leading a woman who faltered at every step, followed. This woman was young, and as fair as a European. Her head and neck, shoulders, ears, arms, hands, and toes were loaded down with jewels and gems with bracelets, earrings, and rings; while a tunic bordered with gold, and covered with a light muslin robe, betrayed the outline of her form.

The guards who followed the young woman presented a violent contrast to her, armed as they were with naked sabres hung at their waists, and long damascened pistols, and bearing a corpse on a palanquin. It was the body of an old man, gorgeously arrayed in the habiliments of a rajah, wearing, as in life, a turban embroidered with pearls, a robe of tissue of silk and gold, a scarf of cashmere sewed with diamonds, and the magnificent weapons of a Hindoo prince. Next came the musicians and a rearguard of capering fakirs, whose cries sometimes drowned the noise of the instruments; these closed the procession.

Sir Francis watched the procession with a sad countenance, and, turning to the guide, said, “A suttee.”

The Parsee nodded, and put his finger to his lips. The procession slowly wound under the trees, and soon its last ranks disappeared in the depths of the wood. The songs gradually died away; occasionally cries were heard in the distance, until at last all was silence again.

Phileas Fogg had heard what Sir Francis said, and, as soon as the procession had disappeared, asked: “What is a suttee?”

“A suttee,” returned the general, “is a human sacrifice, but a voluntary one. The woman you have just seen will be burned to-morrow at the dawn of day.”

“Oh, the scoundrels!” cried Passepartout, who could not repress his indignation.

“And the corpse?” asked Mr. Fogg.

“Is that of the prince, her husband,” said the guide; “an independent rajah of Bundelcund.”

“Is it possible,” resumed Phileas Fogg, his voice betraying not the least emotion, “that these barbarous customs still exist in India, and that the English have been unable to put a stop to them?”

“These sacrifices do not occur in the larger portion of India,” replied Sir Francis; “but we have no power over these savage territories, and especially here in Bundelcund. The whole district north of the Vindhias is the theatre of incessant murders and pillage.”